ENG 6813 · Salter & Stanfill
Natalie M. Houston, Digital Pedagogy in the Humanities
“Text analysis is fundamental to humanities scholarship.” — Houston
Houston walks through traditional DH ways of using computers to do this. From there we can ask: what does AI add — and what doesn’t it?
Houston — a five-part model of humanist text work
“In humanities research, these steps are often iterative and recursive and are rarely labeled as hypothesis, data collection, experimentation, analysis, and argument. Instead, all of these things are called reading.” — Houston
Houston — two scales, usually used together
AI can give us new ways to do the distant end — but the interpretive work remains ours.
Houston — expand the scale, or open new modes
“Digital technologies can be used to expand the scale of traditional methods (and thereby transform them) or to open entirely new modes and possibilities for text analysis.” — Houston
Houston — six distinct capacities
AI can then build from this same work already done for traditional DH.
Demystifying the labor of text analysis
“Making the labor of text preparation and cleaning evident to students demystifies the processes of text analysis and opens up conversations about textual transmission more generally.” — Croxall, via Houston
Groups learn individual DH tools, then collaborate
In Ullyot’s assignment, groups learn individual DH tools, and then groups composed of experts in different tools work together on a project.
Practical skills + interpretive choices
“TEI encoding can serve two purposes: equipping students with practical, project-based skills and exposing the interpretive choices that are at the heart of textual editing and text encoding.” — Singer, via Houston
Deepening context for the text
“Exposing students to primary research with digitized materials deepens the context for their understanding of the text.” — Malone, via Houston
Comparing multiple copies as a writing pedagogy
Walsh uses “collation, the comparing of multiple copies or witnesses of a text, for the teaching of writing.” — via Houston
This is also a way to teach revision — by seeing how other writers do it.
Argumentation, bracketed from writing
Dierkes-Thrun’s students “use multimedia digital technologies to communicate their analyses of a literary text.” — via Houston
This helps students understand argumentation while bracketing writing.
AI as general-purpose power
If the LLM is the horsepower put into a harness, Underwood frames AI itself as more like electricity or steam power: it can be used for many things, and we should do with it what we find valuable.
Underwood — another step change in culture
“Language vastly magnified our ability to coordinate patterns of collective behavior (culture), and transmit those patterns to our descendants. Writing made cultural patterns even more durable. Now generative language models (and image and sound models) represent another step change in our ability to externalize and manipulate culture.” — Underwood
Underwood — example image
Image from Underwood, “A More Interesting Upside of AI.”
Underwood — surveying language from above
“Writing allows us to take a step back from language, survey it, fine-tune it, and construct complex structures where one text argues with two others, each of which footnotes fifty others. It would be hard to imagine science without the ability writing provides to survey language from above and use it as building material.” — Underwood
Underwood — on a darker continuity
“Language models are likely to be used as ideological weapons — just as pamphlets were, after printing made them possible.” — Underwood
A Pollan-style rule for AI
“Use AI, not too much, mostly to connect with the intelligence of other human beings, not AI.” — Dan Cohen, Humane Ingenuity
Cohen on time-to-interpretation
“It would have saved me a lot of time getting to the interesting interpretive phase of my research if a computer could have converted his handwriting into machine-readable text, as it already could for typeset text through a process called optical character recognition (OCR).” — Cohen
Cohen on showing-your-work
“It is essentially a verbalization of what you’re taught to do in a paleography class: assess the overall document first, determine key features, study letter shapes and strokes across the letter to refine your understanding of the particular script, consider context and word/phrase possibilities, think about the coherence of content, grammar, and usage, identify any contractions, proper names, and other oddities, etc.” — Cohen
Cohen — using the model’s reasoning with students
“Take Gemini’s 2,000-word thinking analysis of Boole’s script. I could imagine using that with students in a paleography class to help them understand the steps in the process of deciphering a letter or manuscript.” — Cohen
Cohen — Boole’s handwriting and Gemini’s read
Cohen — the line we shouldn’t cross
Offloading these tasks “allows human beings to focus their time on the important, profound work of understanding another human being, rather than staring at a curlicue to grasp if it’s an L or an I. Could we also ask Gemini to formulate this broader understanding? Sure we could, but that’s the line that we, and our students, should resist crossing.” — Cohen
Cohen — on what counts as “the work”
“If you talk to historians now, they will admit that they can’t spare the expense and time of leafing through letters over a month in a foreign city. Most simply take photos of documents in quick trips to the archives and review them later, at home.” — Cohen
See weeks/week-03.md on Canvas for full reading links and the discussion prompt.