[ ENG 6806 // FALL 2026 // WEEK OF AUGUST 24, 2026 ]
The theory and practice of artificial intelligence in textual, visual, and procedural arts and humanities work — framed through Mamoru Oshii's Ghost in the Shell (1995).
One tension, all semester: the ghost (the mind, the voice, the claim to authorship) versus the shell (the body, the medium, the interface that carries it).
Ghosts (Weeks 1–4): textual generation and analysis — is there anyone behind the words?
Shells (Weeks 5–8): visual generation — bodies, surfaces, and the images that stand in for them.
Puppet Masters (Weeks 9–13): the agentic turn — code that plans, acts, and iterates.
The Net Is Vast and Infinite (Week 14 + finals): custom bots, fine-tuning, and where the ghost goes next.
Build critical and creative projects probing the pitfalls and potentials of LLMs in visual, textual, and procedural work
Trace the history of computer-augmentation across the arts and humanities
Connect contemporary AI policy debates to past technology panics and promises
Use large datasets on arts and humanities problems — and critique those methods
Apply and analyze generative methods for text, image, and code
Critique AI policies and uses across communities and contexts
Bender and Hanna, The AI Con – pg 5
Generative AI (per the MLA-CCCC task force) “refers to computer systems that can produce, or generate, various forms of traditionally human expression, in the form of digital content including language, images, video, and music.”
MLA-CCCC Joint Task Force on Writing and AI — Working Paper 1
Source: Towards AI, “Generative AI vs Agentic AI vs AI Agents”
Bender and Hanna, The AI Con – pg 10
Bender and Hanna, The AI Con – pg 10
Melanie Mitchell, Artificial Intelligence: A Guide for Thinking Humans (2019) — on reserve, UCF Library
Safiya Noble, Algorithms of Oppression (2018) — unlimited ebook via UCF Library
Emily Bender & Alex Hanna, The AI Con (2024)
Josh Tyrangiel, AI for Good (2026)
Required viewing: Ghost in the Shell (1995) — free with ads on Tubi, Plex, and Hoopla
Recommended: Science SARU's The Ghost in the Shell (2026), airing on Prime Video all semester
Required subscription: Anthropic's Claude (next slide)
This course requires a paid Claude subscription — the Pro plan ($20/month, or $17/month billed annually) covers everything we do this semester.
Includes the full model lineup, Research mode, artifacts, and Claude Code — all of which we'll use, from week-one conversations through the agentic unit
Sign up at claude.ai; check claude.com/pricing for current rates before subscribing
6 — Activity Verification (due Friday, August 28)
78 — Weekly exercises (13 exercises, 6 points each, due Sundays)
16 — Final Reflection (750–1000 words, due Thursday, December 10)
Out of 100, standard letter scale. All work submits through Webcourses.
Every assignment stays open one week past its due date, no penalty — after that it closes for good unless we've already talked
Grades and feedback live in the Webcourses Grade Book, updated weekly
Extra credit: Week 14 (“The Net Is Vast and Infinite” — Custom Bots): up to 6 points for a Claude Skill, up to 6 for a subagent workflow, up to 10 for fine-tuning on our public-domain corpus
Emergencies and medical challenges: reach out early — flexibility is available
Fully asynchronous — no meetings, ever; modules open Mondays at midnight and work is due Sundays at 11:59PM
Each week: readings → making exercise → reflective discussion
Office hours Wednesdays 11AM–1:30PM (TCH 236 / Zoom); Webcourses messages any time — Zoom best for technical troubleshooting
You'll need a reliable computer with admin access for AI tool installs
“Despite its grave limitations, computer scientists used ELIZA to celebrate how thoroughly computers could replace human labor and heralded the entry into the artificial intelligence age. A shocked Weizenbaum spent the rest of his life as a critic of AI, noting that humans were not meat machines, while Minsky went on to found MIT’s AI laboratory and rake in funding from the Pentagon unhindered.”
Bender and Hanna, The AI Con – pg 17
Mitchell 13
Mitchell 21
Mitchell 41
Mitchell 42
Mitchell 49-50